fxGems #7 ⏀ A Prolific Beginning - Part II
Thirty-five more artists who absolutely crushed it in the first three weeks of open minting on fx(hash). Piles and piles of work created at a breakneck pace. Let it inspire you as you're making your New Year's resolutions this week!
fxGems is curated by Haiver. Follow on Twitter and Mastodon for recommendations, and sign up for email notifications for when a new issue drops. To support the work, collect a copy of this issue on fx(text) or past issues, or consider minting one of my generative pieces on fx(hash).
When I was a kid, I used to think prolific was a synonym for genius. It wasn't until college that I learned prolific simply means someone who makes a lot of work. Picasso was a genius; he was also prolific. And they're not the same thing. All you have to do is google the centaur stick figures he drew in Antibes to see that even well into his career — thanks to his prolific output — not everything he made was good.
That said, the more work you make, the more opportunities you have to grow, and the more chances you have to get it right. Prolific art-making is the perfect cure to break a perfectionist streak. And it's only with a lot of work under your belt that you start to find your voice and thus create work that stands out. So it's funny to realize that my childhood self was onto something when it saw a connection between the two.
When fx(hash) first launched, one of the most inspiring things was seeing so many prolific generative artists appear to spring out of nowhere — each of them dropping 5, 10, even 15 projects apiece in the first three weeks of open minting (Nov 10 - Nov 30, 2021). It was a cascade of rapid-fire releases one right after another.
Of course, many of them had been making generative work for years with a back catalogue of projects just waiting for a home. But it was also invigorating to see younger artists figuring it out in real time. And all of them were hungry. There was a pent-up need for an open generative site like fx(hash).
So here is the first round of truly prolific artists in fx(hash) history. Some of the work is genius; some of it has room to grow. All of it was here first, lighting a path, helping establish fx(hash)'s place in art history — and for that we should always be grateful.
As always, this issue is available to view on fx(text), especially good for all those animated pieces. And this issue is a continuation from last week, so don't forget to check out Part I of this series.
Landlines Art - 6 Projects
grodarh - 6 Projects
David González - 6 Projects
petitsapin - 6 Projects
devnull - 6 Projects
TeNinEight - 6 Projects
AutoEclectus - 5 Projects
itsgalo - 5 Projects
markknol - 5 Projects
3DManatee - 5 Projects
patxol - 5 Projects
mjlindow - 5 Projects
Job Talle - 5 Projects
Hevey - 5 Projects
ver_nft - 5 Projects
Morbeck - 5 Projects
FahmiMursyid - 5 Projects
Likemurvin - 4 Projects
ge1doot - 4 Projects
beardcoded - 4 Projects
infinite - 4 Projects
somaticbits - 4 Projects
inconvergent - 4 Projects
Lisa Orth - 4 Projects
DistCollective - 4 Projects
Liam Egan - 4 Projects
greweb - 4 Projects
aebrer - 4 Projects
Gorilla Sun - 4 Projects
Estienne - 3 Projects
who? - 4 Projects
Tomluyten - 3 Projects
dmarchi - 3 Projects
dnlsmm - 3 Projects
Jinyao Lin - 3 Projects
fxGems is not affiliated with fx(hash) or fx(text) (hence the lack of parentheses), and none of the recommendations herein should be construed as financial advice. We’re here to celebrate the art!
Each month I go one by one through all of the projects that dropped on fx(hash) to find the strongest, most compelling work — generative art that has a unique voice, a wide variety across its many mints, and an intriguing approach to algorithms and technique.